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Model Posing Tips Biography
The key ingredient for any great portrait lies in the pose and expression that your model produces for the shot. It is your job to convey the message you want to see on camera to your model. Many times I have seen pictures where the pose and lighting were good but the model was conveying the wrong message with her face and it totally destroyed the photo.
The pose is also essential to a portrait for it creates dynamic lines and elements in the frame. Knowing how to get this out of your model is vital. Your subject won’t know how to pose, handle their hands or what expression to make – that is your job as the photographer. In this article I will be showing you how to do just that by sharing a few helpful tips on perfecting pose.As a rule of any type of portrait photography, feet come first. The way your model stands is going to determine whether or not they’re comfortable during the shoot, and if they are going to look natural in their pose. Having your model look stiff on camera is not going to make a pleasing shot.In most cases, the back foot should be pointed away from the camera about 90 degrees, and the front foot should be pointed at the camera. This makes the model turn slightly to the camera for a slimmer, more pleasing stance. When the feet are squared off to the camera the pose takes on a sense of aggressiveness, and in most cases it is not desired.
One quote I have heard about the legs is “if it can bend, bend it.” So relax one leg and watch how the knee and ankle naturally bend to create a pose. When you put weight on one of your legs, it is going to push the hip of that leg out and make it more prominent. Some people like that style of portraiture, but most go with putting the weight on the back legs so that the back hip will be hidden and away from the camera.These are probably the most difficult to deal with. The hands can reveal something about your model and give a sense of animation to a pose. This being said, you have to make sure that they are not too prominent in the portrait. Remember the focus of the viewer still needs to be on the face so you got to make sure that the hands don’t catch too much of the key light because the eyes automatically snap to the brightest part of the image.
If you are not sure what to do with the hands in the shot then get rid of them. Just as the shoulders, the side of the hands look better instead of the whole front or back of the hand for the side is slimmer and not as prominent. If the hands are above the waist make sure that they are bent up because it makes the hand look more elegant.
If they are below the waist then you can let them relax and fall naturally. Also, you can put them in your pockets but make sure that you keep your thumbs out of the pockets so your whole hand is not hidden. You never want to put them in a tight fist position because that is another sign of aggression.Everyone knows about the dreaded police mug shot. Dead on with the camera, shoulders straight and slouched. When your model is straight on with the camera, the shoulders are the widest part of the body, it makes your model look out of proportion, too wide and just like the square feet, it makes your model take on an aggressive stance.These are probably the most difficult to deal with. The hands can reveal something about your model and give a sense of animation to a pose. This being said, you have to make sure that they are not too prominent in the portrait. Remember the focus of the viewer still needs to be on the face so you got to make sure that the hands don’t catch too much of the key light because the eyes automatically snap to the brightest part of the image.
If you are not sure what to do with the hands in the shot then get rid of them. Just as the shoulders, the side of the hands look better instead of the whole front or back of the hand for the side is slimmer and not as prominent. If the hands are above the waist make sure that they are bent up because it makes the hand look more elegant.
If they are below the waist then you can let them relax and fall naturally. Also, you can put them in your pockets but make sure that you keep your thumbs out of the pockets so your whole hand is not hidden. You never want to put them in a tight fist position because that is another sign of aggression.As we work our way up the body we arrive at the head and face. If you ask a model to take on an expression and then go about posing the feet, legs, hips and torso, do you think that she is still going to have that same expression that you liked so much? A rule for me is to save the head and face for last.
Some photographers like to shoot right at eye level – and that works in most cases – but if you are looking for something different and unique then iI would experiment with shooting a little above or a little below the models eye level. You can have them look up, down or to the camera. Another option is to have them look off into the distance.
When relaxed, the head naturally leans slightly to one side. So when you are thinking about doing a natural look, consider tilting the models head. If you tilt the head up slightly, it makes the nose shorter and stretches out the neck area just in case of the “double chin problem”. Tilting the head down gives you an intimate expression but only works with models that have normal or small noses, so this can’t be used on every model!
Just like the shoulders, turning the head slightly to a three quarter position allows you to slim down a wide face or jaw line. If your model already has a thin face, then this technique would make their face thinner and longer which could produce some ill effects.The eyes are the most powerful part of any portrait. The eyes make or break the mood that is being set up. You can create a more attractive expression if you have your model lower the chin because it will increase the size of the eyes. Of course this will only work if your models mouth and eyebrows are telling the same story.
The whole face needs to be on the same page so the mood or expression is not confused. You can have your subject look away from the camera, but keep in mind that it will be harder to catch the expression in the eyes. People say that the eyes are the door to someone’s soul – if you can master how the eyes look, your photo will be even more powerful.
Model Posing Tips Biography
The key ingredient for any great portrait lies in the pose and expression that your model produces for the shot. It is your job to convey the message you want to see on camera to your model. Many times I have seen pictures where the pose and lighting were good but the model was conveying the wrong message with her face and it totally destroyed the photo.
The pose is also essential to a portrait for it creates dynamic lines and elements in the frame. Knowing how to get this out of your model is vital. Your subject won’t know how to pose, handle their hands or what expression to make – that is your job as the photographer. In this article I will be showing you how to do just that by sharing a few helpful tips on perfecting pose.As a rule of any type of portrait photography, feet come first. The way your model stands is going to determine whether or not they’re comfortable during the shoot, and if they are going to look natural in their pose. Having your model look stiff on camera is not going to make a pleasing shot.In most cases, the back foot should be pointed away from the camera about 90 degrees, and the front foot should be pointed at the camera. This makes the model turn slightly to the camera for a slimmer, more pleasing stance. When the feet are squared off to the camera the pose takes on a sense of aggressiveness, and in most cases it is not desired.
One quote I have heard about the legs is “if it can bend, bend it.” So relax one leg and watch how the knee and ankle naturally bend to create a pose. When you put weight on one of your legs, it is going to push the hip of that leg out and make it more prominent. Some people like that style of portraiture, but most go with putting the weight on the back legs so that the back hip will be hidden and away from the camera.These are probably the most difficult to deal with. The hands can reveal something about your model and give a sense of animation to a pose. This being said, you have to make sure that they are not too prominent in the portrait. Remember the focus of the viewer still needs to be on the face so you got to make sure that the hands don’t catch too much of the key light because the eyes automatically snap to the brightest part of the image.
If you are not sure what to do with the hands in the shot then get rid of them. Just as the shoulders, the side of the hands look better instead of the whole front or back of the hand for the side is slimmer and not as prominent. If the hands are above the waist make sure that they are bent up because it makes the hand look more elegant.
If they are below the waist then you can let them relax and fall naturally. Also, you can put them in your pockets but make sure that you keep your thumbs out of the pockets so your whole hand is not hidden. You never want to put them in a tight fist position because that is another sign of aggression.Everyone knows about the dreaded police mug shot. Dead on with the camera, shoulders straight and slouched. When your model is straight on with the camera, the shoulders are the widest part of the body, it makes your model look out of proportion, too wide and just like the square feet, it makes your model take on an aggressive stance.These are probably the most difficult to deal with. The hands can reveal something about your model and give a sense of animation to a pose. This being said, you have to make sure that they are not too prominent in the portrait. Remember the focus of the viewer still needs to be on the face so you got to make sure that the hands don’t catch too much of the key light because the eyes automatically snap to the brightest part of the image.
If you are not sure what to do with the hands in the shot then get rid of them. Just as the shoulders, the side of the hands look better instead of the whole front or back of the hand for the side is slimmer and not as prominent. If the hands are above the waist make sure that they are bent up because it makes the hand look more elegant.
If they are below the waist then you can let them relax and fall naturally. Also, you can put them in your pockets but make sure that you keep your thumbs out of the pockets so your whole hand is not hidden. You never want to put them in a tight fist position because that is another sign of aggression.As we work our way up the body we arrive at the head and face. If you ask a model to take on an expression and then go about posing the feet, legs, hips and torso, do you think that she is still going to have that same expression that you liked so much? A rule for me is to save the head and face for last.
Some photographers like to shoot right at eye level – and that works in most cases – but if you are looking for something different and unique then iI would experiment with shooting a little above or a little below the models eye level. You can have them look up, down or to the camera. Another option is to have them look off into the distance.
When relaxed, the head naturally leans slightly to one side. So when you are thinking about doing a natural look, consider tilting the models head. If you tilt the head up slightly, it makes the nose shorter and stretches out the neck area just in case of the “double chin problem”. Tilting the head down gives you an intimate expression but only works with models that have normal or small noses, so this can’t be used on every model!
Just like the shoulders, turning the head slightly to a three quarter position allows you to slim down a wide face or jaw line. If your model already has a thin face, then this technique would make their face thinner and longer which could produce some ill effects.The eyes are the most powerful part of any portrait. The eyes make or break the mood that is being set up. You can create a more attractive expression if you have your model lower the chin because it will increase the size of the eyes. Of course this will only work if your models mouth and eyebrows are telling the same story.
The whole face needs to be on the same page so the mood or expression is not confused. You can have your subject look away from the camera, but keep in mind that it will be harder to catch the expression in the eyes. People say that the eyes are the door to someone’s soul – if you can master how the eyes look, your photo will be even more powerful.
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
Model Posing Tips
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