Thursday, 10 January 2013

Model Posing Ideas

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Model Posing Ideas Biography

One of the more important jobs you have as a photographer is to make sure your subjects are posed in a way that creates a flattering photograph. When photographing professional models this will be second nature to them and they will require little coaching. When photographing amateur models, the burden generally falls on you to make sure your model is posed correctly.One of the more common types of portrait photography is the headshot. When posing your subject for a headshot, keep a few things in mind. The first thing you want to do is have your subject tilt their head slightly to the left or the right and bring their chin down and extend their neck to give the photograph a more casual feel and minimize the "double-chin effect". Remind your subject to not look directly at the camera. Generally, I will ask my subjects to look slightly to the left or right of the camera and just above, focusing on something in the background behind me. These positions may not always feel natural for your subject but will lead to the best possible headshots.Do not be afraid to experiment with different head angles and positions during a photo shoot. This will give you a wide variety of photographs to choose from once the photo shoot is complete. In this age of digital cameras, you no longer have to worry about the cost of film and waste. Start with these general guidelines but don't be afraid to be creative. Take a few traditional headshots as well as a few headshots that are more creative and let your client decide which they like best.One of the biggest problems when shooting full-body shots is coaching your subject on what to do with their hands, arms, feet and legs. Aside from professional models, most subjects are self-conscious and even a bit nervous in front of the camera. This can lead to some of the most awkward poses you can imagine. People will fidget, frown and stand in ways that they would never stand otherwise when the camera is on them. While this can be good for a laugh, it is not always the best thing for getting the best full-body shots.
First, try to relax your subject. Talk naturally, explain what you would like to capture in the photograph and always ask for permission before touching a model to reposition them. Next, instruct your subject to pose in a way that is most flattering for them. The same rules as above apply for the subjects head, but the rules for the body change depending on your subject’s gender.When photographing a full-body shot of a female, always remember that women look much more feminine at an angle with their joints bent. If it bends, try bending it until you are satisfied that you have achieved a flattering look for them. You would be amazed at how much a hand on the hip or a bent knee with their weight on the other leg can do for a female full-body pose.With men, the rules are slightly different. Men generally look best facing the camera directly, showing off the broadness of their shoulders. If your male subject is having trouble finding somewhere to put his hands, suggest he cross his arms across his chest or hook his thumbs in his pockets.
The most important thing to keep in mind for a full-body shot is that everyone is built differently. A pose that looks good for a slim subject may not look nearly as flattering for a heavier subject and vice versa. Your job as the photographer is to find the pose that is most flattering for them. This often is 90% of the battle in taking the best full-body portraits.For group shots, your challenges will be positioning everyone so they are a visible while remembering the tips above for headshots and full-body shots. In most cases, you will want to pose your subjects in a pyramid (or inverted pyramid) to make sure all faces are discernible. Have the taller of the group stand in the back, the shorter people staggered in front of them and the remainder of the group sitting at the very front. Make sure all your subjects are relaxed, look natural and that there is adequate spacing between each subject’s head.Getting the multiple subjects posed perfectly all at once is a challenge in large group shots. Just when you think you have the group shot setup, someone will move, a baby will cry or the wind will blow, messing up everyone’s hair. Being patient with your subjects and your environment will pay off in the end with a group portrait that will bring a smile to the faces of the people in it for years to come.
Always aim for an amazing shot, but know that sometimes you have to settle for a good shot. Do your best to pose each person in the photograph in the most flattering pose possible while maintaining the integrity of the group shot. With a little practice and a lot of patience, you will take some fantastic group portraits.While it is very important that you learn the basics of posing a model, you do not always have to stick to these strict rules. Classic poses are a surefire way of getting a great shot, but some of the best shots are those that deviate slightly from these classic poses. Play with camera angles, light and props and you never know what you will come up with. That is not to say you want to females facing the camera directly with their heads down, but these rules are definitely a starting point only. Let your creativity take shape during the photo shoot and not only will you and your subjects enjoy the process a great deal more but, in many cases, you will end up with some exceptional photographs.Marilyn Monroe, whose name was Norma Jean Baker in childhood, was born to Gladys Mortenson, a film technician, whose husband, Edward Mortenson, deserted the family. Norma Jean's natural father may have actually been another studio employee, C. Stanley Gifford. Gladys' mental illness surfaced shortly after her daughter's birth, and she was institutionalized much of Norma Jean's growing years. Norma Jean was placed in a series of twelve foster homes, and once in an orphanage. She attended Van Nuys High School in Los Angeles, California.
At sixteen, Norma Jean escaped the foster system by marrying 20-year-old James Dougherty. A year later, in 1943, he joined the U.S. Merchant Marine. Norma Jean took a job in an airline plant, part of the World War II factory effort, and worked first as a parachute inspector, then as a paint sprayer. When the government came through to take promotional photographs of the women working in the plant, the brunette Norma Jean learned that she photographed well, took a modeling course, and began working part-time as a photographer's model.Success as a photographer's model led her to her dream of becoming an actress. In 1946, she divorced Dougherty and bleached her hair to become a blond. She signed a one-year, $125/month contract with Twentieth Century-Fox on August 26, 1946. Ben Lyon, casting director, suggested that she take the name Marilyn, and she added her grandmother's last name, Monroe.Marilyn Monroe played one bit part that year, all of which ended up on the cutting room floor. The next year, she signed another one-year contract, this time with Columbia. The results weren't any better.
In 1950, Marilyn Monroe posed for full-length nude shots, which the photographer Tom Kelley sold for a calendar. That same year, she appeared in a bit part in The Asphalt Jungle, and though her name wasn't even mentioned in the credits, her appearance generated a huge amount of fan mail. Her reputation as a blond bombshell had begun to be established.So Twentieth Century-Fox signed Marilyn Monroe to a new contract -- this time, for seven years. She appeared in All About Eve. In 1953, she had her first starring role, in Niagara. In Gentlemen Prefer Blondes she sang and, for the first time, she had her own dressing room.For the 1955 movie The Seven Year Itch, Marilyn Monroe appeared in the famous photographic stunt, in a white halter dress, with her skirt blown up by a draft from a sidewalk grate, leaning down to catch her dress so that her cleavage showed. The photograph was used to advertise the film, and has become one of the iconic images of Marilyn Monroe.After filming The Seven Year Itch, in which she plays a prototypical "dumb blond," Marilyn Monroe decided to work more seriously on her acting skills, to the skepticism of many critics. She broke her movie contract, and moved to New York to study at the Actors Studio with Lee Strasberg for a year.She married Arthur Miller, the playwright, shortly after Bus Stop was released, and for the marriage converted to Judaism. She lived quietly for two years with her new husband. During that time, Miller was fighting his conviction for contempt-of-Congress for refusing to answer two questions before the House Un-American Activities Committee (HUAC). The marriage, and several miscarriages, added to her self-doubt and depression, and to her use of drugs and alcohol.
Marilyn Monroe's next movie, The Prince and the Showgirl, brought mixed reviews. That was followed by Let's Make Love, and an unhappy romantic liaison with co-star Yves Montand.The Misfits was written for Marilyn Monroe by her husband, Arthur Miller. She performed well in the final product, though, during its filming, she was often under the influence of alcohol and pills, and she was notoriously late to the set. Marilyn was affected by the death, two months after the film was completed, of her co-star, Clark Gable.
In early 1961, Marilyn Monroe and Arthur Miller divorced. During this period, she was also bothered by many rumors of affairs, including with the President, John F. Kennedy, and his brother, Robert F. Kennedy.Filming her next project, ironically titled Something's Got to Give, Marilyn's lateness and addictions led to her dismissal after a month. She was briefly committed to a mental hospital. She was approved to return to the film, but never resumed filming.Two months later, in her home in Los Angeles, Marilyn Monroe was found by her housekeeper, dead, with an empty bottle of sleeping pills next to her body. The coroner found the death was caused by an overdose of barbiturates, and pronounced it a possible suicide. No evidence of foul play was presented to the coroner.Miller, 34, married her husband Griffin Guess, 33, six years ago, but they are now just having their first child.“My husband and I have always looked forward to starting a family, but also wanted to enjoy just being married,” she told People when she announced her pregnancy, according to the New York Daily News. “After six years together, the time feels right."The timing was also right because of where her family is.“My sisters and I will all have babies in 2012 so it’s such an exciting time," she said.Miller and Guess announced the pregnancy earlier this summer, and Miller said she is getting used to her new shape."I always felt, even before I got pregnant, that it's better to accentuate your curves,” Miller told Allure. “A lot of women try to tuck their butt in or kind of slouch because they're trying to hide. Obviously, you can't suck it in, but it's important to really show off the belly. For some reason, for me, from the side it looks the biggest, so that's what I tried to do."The model got advice from her sister about remedies for stretch marks. But she also searched online for pregnancy tips, and ended up at the website of a fellow model, Molly Sims.

Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas
Model Posing Ideas

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