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Top Model Poses Biography
This may sound very simple but the number one way a great photo opportunity is ruined is with unnatural body mechanics or facial expressions. It may be difficult to be at ease when your body feels awkward and out of place, but for now your first step is to take a deep breath and notice any areas of your body where there may be tension and let go!It is very important to start becoming aware of the camera and the placement of your body in front of it. Most people who are photogenic like being photographed and this comes across in their pictures. Don't be scared of the camera's lens. Pretend it's a friend, lover, parent, or anything else that will help you get the desired look you want! Be sure to have plenty of photographs taken of you so that you can practice connecting and being in front of the camera.Determine the most flattering angles in your face and memorize them. To do this, stand in front of a mirror, and find the most symmetrical side of your face. Full frontal face pictures can be harsh, so when taking a photo, present three-quarters of your face to the camera. This brings out the angles in your face and softens the overall look.This is a commonly used term in the modeling world. Your eyes speak volumes in photos. A simple smile with a dead eye can have bad results. You never want to look tired or uninterested in your pictures. To smile with the eyes, tighten the muscles in your upper cheek and lower eyelid. Imagine your eye is actually making a smiley face! It may be difficult at first but practice in front of a mirror with a piece of paper covering your mouth. Your eyes should turn up a bit at the outer corners and a twinkling effect will result.The classic model s pose is to arrange your body at a 45 degree angle to the camera with one foot in front of the other and one shoulder closer to the camera than the other. With hips squared, turn your upper body straight toward the camera, creating a slight twist in the torso. Pretend there is a string connected to the top of your head, and it is pulling you upward and taller. Suck in your belly without drawing air into your torso and position your arms on your hips or down to your sides with a little space between your body. These movements together will give the illusion of a much thinner waist.Look at fashion magazines and notice how the models are posed. When it comes to posing your body, symmetry is out. Asymmetrical poses are much more interesting. By bending your arms and legs you can create interesting lines that draw the viewer of a photograph directly into you. If your background is busy the focus will be on you, and if it is simple, lines will create complexity. Practice with many poses; bend your arm and place a hand on your hip while your other arm hangs naturally by your side; bend one arm upwards so that your hand is holding your shoulder; place both hands on your hip with one shoulder raised and the other lowered; place both arms behind your back, elbows out, with one shoulder raised; or pull your elbows in, place your hands on the lower back, arch your back with one leg bent and the other elongated in front of the other (this pose is great for a silhouette shot!).If you are outdoors, always make sure you're facing the sun. If the sun is behind you, your face will be in shadow and can turn flat in pictures. If you have a wider face make sure the sun or light is shining brightest on the cheek opposite the camera. If you have a fairly thin face, make sure the sun or light is shining on the cheek closest to the camera lens.This is not always easy to do. If it is very bright outside or you are in a group shot and there are a lot of distractions, one trick is to keep your eyes closed while the photographer is preparing to take the shot. If there is a count down keep them shut until you hear the number 2. At 3, open your eyes but not too wide. Remember to either smile with your eyes (which can be hard to do with just one second preparation) or keep them fairly relaxed but engaged for the shot.Brooke Miller is from Keller, Texas, and she left her high school on her last year in order to audition for America's Next Top Model, Cycle 7. In the process, she wasn't able to attend her senior prom and her graduation, but aside from experiencing a bit of frustration, Brooke has no regrets about her appearance on the show. When Brooke started out as a Finalist on America's Next Top Model, Cycle 7, she had a bit of difficulty adjusting, especially when she and the other thirteen finalists were made to pose naked for their group photo. However, Brooke eventually became more comfortable with the challenges and with the other girls. On Brooke's last week on the show, she, along with the Babin twins, got to accompany Melrose Bickerstaff to a Seventeen Magazine photo shoot, after Melrose won a runway walk challenge facilitated by Elite Models director, Cathy Gould. The photo shoot following the challenge required the girls to pose with model Fabio, and although few of the other girls had a difficult time, Brooke was placed on the bottom two with Eugena Washington . Ultimately, the judges eliminated Brooke because they felt she didn't possess enough potential to be a great model.
Sometimes it's a delight when you couldn't be bothered with which contesant wins in a finale; when it's the sign that a reality TV show did the unprecedented and allowed its two best candidates to actually succeed. But it's an even worse sign when you don't care who wins because you don't think it matters. To the winner; to the show; to you; to anyone. That's how I feel tonight. And yet I'm still here watching, so what does that say? (Beyond that it's my job.) I think it says that I miss the old ANTM, but the new one is still a pleasant enough simulation to watch. Just not emotionally invest in.
Despite the finalists' being from different shores, this showdown also isn't as intense as we might have hoped at the beginning of the cycle, with all its "US VERSUS UK! STARS AND STRIPES AGAINST UNION JACK!" posturing, because Sophie and Laura really aren't that different. Both are sexy blondes -- American Laura in a more "80s power band music video vixen" way, British Sophie in a more "Japanese business man's fetish" sort of way -- and have been judge favorites since the start. Both have had hiccups -- Laura's music video comes to mind, and Sophie's droopy silkworm photo -- but both have also done impressively well at jumping between the various exhausting roles that the show has asked of them, very few of which resemble the real-life modeling world. I mean anyone willing to sit on Kris Jenner's lap dressed as an infant, then model maple syrup, then Hello Killy! merchandise, then pose on the edge of a tower, then shoot an Asian action movie, then, then, then ... deserves an award. And a reward. Let's let them both win!
OK, I guess that's not possible. But the episode starts as if it could: Laura and Sophie express pure joy at coming back to their Macau apartment and finding it completely empty. "FINAL TWO!" they sing and dance in unison. One of them will win this season's big prize, which still contains a spread in haute Italian Vogue (odd, considering this cycle's uber-commercialization angle), as well as a modeling contract with LA Models & NY Model Management, along with the more appropriate "honors": A brief and quickly buried contract with Covergirl, being the face of the Top Model perfume "Cream Dumb Poo," and interviewing C-list celebrities now and then for Extra.
Top Model Poses Biography
This may sound very simple but the number one way a great photo opportunity is ruined is with unnatural body mechanics or facial expressions. It may be difficult to be at ease when your body feels awkward and out of place, but for now your first step is to take a deep breath and notice any areas of your body where there may be tension and let go!It is very important to start becoming aware of the camera and the placement of your body in front of it. Most people who are photogenic like being photographed and this comes across in their pictures. Don't be scared of the camera's lens. Pretend it's a friend, lover, parent, or anything else that will help you get the desired look you want! Be sure to have plenty of photographs taken of you so that you can practice connecting and being in front of the camera.Determine the most flattering angles in your face and memorize them. To do this, stand in front of a mirror, and find the most symmetrical side of your face. Full frontal face pictures can be harsh, so when taking a photo, present three-quarters of your face to the camera. This brings out the angles in your face and softens the overall look.This is a commonly used term in the modeling world. Your eyes speak volumes in photos. A simple smile with a dead eye can have bad results. You never want to look tired or uninterested in your pictures. To smile with the eyes, tighten the muscles in your upper cheek and lower eyelid. Imagine your eye is actually making a smiley face! It may be difficult at first but practice in front of a mirror with a piece of paper covering your mouth. Your eyes should turn up a bit at the outer corners and a twinkling effect will result.The classic model s pose is to arrange your body at a 45 degree angle to the camera with one foot in front of the other and one shoulder closer to the camera than the other. With hips squared, turn your upper body straight toward the camera, creating a slight twist in the torso. Pretend there is a string connected to the top of your head, and it is pulling you upward and taller. Suck in your belly without drawing air into your torso and position your arms on your hips or down to your sides with a little space between your body. These movements together will give the illusion of a much thinner waist.Look at fashion magazines and notice how the models are posed. When it comes to posing your body, symmetry is out. Asymmetrical poses are much more interesting. By bending your arms and legs you can create interesting lines that draw the viewer of a photograph directly into you. If your background is busy the focus will be on you, and if it is simple, lines will create complexity. Practice with many poses; bend your arm and place a hand on your hip while your other arm hangs naturally by your side; bend one arm upwards so that your hand is holding your shoulder; place both hands on your hip with one shoulder raised and the other lowered; place both arms behind your back, elbows out, with one shoulder raised; or pull your elbows in, place your hands on the lower back, arch your back with one leg bent and the other elongated in front of the other (this pose is great for a silhouette shot!).If you are outdoors, always make sure you're facing the sun. If the sun is behind you, your face will be in shadow and can turn flat in pictures. If you have a wider face make sure the sun or light is shining brightest on the cheek opposite the camera. If you have a fairly thin face, make sure the sun or light is shining on the cheek closest to the camera lens.This is not always easy to do. If it is very bright outside or you are in a group shot and there are a lot of distractions, one trick is to keep your eyes closed while the photographer is preparing to take the shot. If there is a count down keep them shut until you hear the number 2. At 3, open your eyes but not too wide. Remember to either smile with your eyes (which can be hard to do with just one second preparation) or keep them fairly relaxed but engaged for the shot.Brooke Miller is from Keller, Texas, and she left her high school on her last year in order to audition for America's Next Top Model, Cycle 7. In the process, she wasn't able to attend her senior prom and her graduation, but aside from experiencing a bit of frustration, Brooke has no regrets about her appearance on the show. When Brooke started out as a Finalist on America's Next Top Model, Cycle 7, she had a bit of difficulty adjusting, especially when she and the other thirteen finalists were made to pose naked for their group photo. However, Brooke eventually became more comfortable with the challenges and with the other girls. On Brooke's last week on the show, she, along with the Babin twins, got to accompany Melrose Bickerstaff to a Seventeen Magazine photo shoot, after Melrose won a runway walk challenge facilitated by Elite Models director, Cathy Gould. The photo shoot following the challenge required the girls to pose with model Fabio, and although few of the other girls had a difficult time, Brooke was placed on the bottom two with Eugena Washington . Ultimately, the judges eliminated Brooke because they felt she didn't possess enough potential to be a great model.
Sometimes it's a delight when you couldn't be bothered with which contesant wins in a finale; when it's the sign that a reality TV show did the unprecedented and allowed its two best candidates to actually succeed. But it's an even worse sign when you don't care who wins because you don't think it matters. To the winner; to the show; to you; to anyone. That's how I feel tonight. And yet I'm still here watching, so what does that say? (Beyond that it's my job.) I think it says that I miss the old ANTM, but the new one is still a pleasant enough simulation to watch. Just not emotionally invest in.
Despite the finalists' being from different shores, this showdown also isn't as intense as we might have hoped at the beginning of the cycle, with all its "US VERSUS UK! STARS AND STRIPES AGAINST UNION JACK!" posturing, because Sophie and Laura really aren't that different. Both are sexy blondes -- American Laura in a more "80s power band music video vixen" way, British Sophie in a more "Japanese business man's fetish" sort of way -- and have been judge favorites since the start. Both have had hiccups -- Laura's music video comes to mind, and Sophie's droopy silkworm photo -- but both have also done impressively well at jumping between the various exhausting roles that the show has asked of them, very few of which resemble the real-life modeling world. I mean anyone willing to sit on Kris Jenner's lap dressed as an infant, then model maple syrup, then Hello Killy! merchandise, then pose on the edge of a tower, then shoot an Asian action movie, then, then, then ... deserves an award. And a reward. Let's let them both win!
OK, I guess that's not possible. But the episode starts as if it could: Laura and Sophie express pure joy at coming back to their Macau apartment and finding it completely empty. "FINAL TWO!" they sing and dance in unison. One of them will win this season's big prize, which still contains a spread in haute Italian Vogue (odd, considering this cycle's uber-commercialization angle), as well as a modeling contract with LA Models & NY Model Management, along with the more appropriate "honors": A brief and quickly buried contract with Covergirl, being the face of the Top Model perfume "Cream Dumb Poo," and interviewing C-list celebrities now and then for Extra.
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
Top Model Poses
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